And cometh from afar: [11] In this Ode the poet compares the urn with the bride sitting in silence. The children exemplify the attitude toward eternity which the other philosopher, the mature philosopher, wins to with difficulty, if he wins to it at all. Writing these poems had a particular influence on Keats, as Walter Jackson Bate explains: However felicitous he may have been in writing them, these short poems of one of the greatest of English lyrists are the by-product of other efforts; and those habits of both ideal and practice left him more dissatisfied than he would otherwise have been with the pressure of most lyric forms toward quick, neat solution [] The new ode form appealed also because it was sufficiently confining to challenge his conscience as a craftsman. To take into the air my quiet breath; Thi, Van are most common middle names. The role of a speaker is one of the most important aspects in a written work. Join the conversation "First time @NAM_London today. [4] Samuel's father was the Reverend John Coleridge (17181781), the well-respected vicar of St Mary's Church, Ottery St Mary and was headmaster of the King's School, a free grammar school established by King Henry VIII (15091547) in the town. Interviews, reviews, and much more. The immediate effect on critics was modest, but it became and remains a landmark, changing the course of English literature and Also, his voice has something powerful in it that draws the reader in. [78] Jeffrey later wrote a semi-positive review of the ode, for the 12 April 1808 Edinburgh Review, that praised Wordsworth when he was least Romantic in his poetry. A major figure in the Anglican theology of his day, his writings are still regularly referred to by contemporary Anglican theologians. Our critics review new novels, stories and translations from around the world As he moved from poem to poem, he began to question why, as a child, he once was able to see an immortal presence within nature but as an adult that was fading away except in the few moments he was able to meditate on experiences found in poems like "To the Cuckoo". "[55] Childhood, therefore, becomes a means to exploring memory, and the imagination, as Wordsworth claims in the letter, is connected to man's understanding of immortality. In the past, he had relied on his brother George for financial assistance from time to time, but now, when his brother appealed to him for the same aid, the cash-strapped poet was unable to help and was overwhelmed with guilt and despair. Hath had elsewhere its setting, Even those who have never read the Rime have come under its influence: its words have given the English language the metaphor of an albatross around one's neck, the quotation of "water, water everywhere, nor any drop to drink" (almost always rendered as "but not a drop to drink"), and the phrase "a sadder and a wiser man" (usually rendered as "a sadder but wiser man"). Coleridge also usefully employed the organic metaphor of natural growth to shed light on the historical development of British history, as exemplified in the common law tradition working his way thereby towards a sociology of jurisprudence. This second theme is reminiscent of Keats's view of human progression through the Mansion of Many Apartments and how man develops from experiencing and wanting only pleasure to understanding truth as a mixture of both pleasure and pain. Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. As a person ages, they are no longer able to see the light, but they can still recognise the beauty in the world. Smokes in the sun-thaw; whether the eave-drops fall [56] Hugh Kenner in Historical Fictions, discusses Norman Fruman's Coleridge, the Damaged Archangel and suggests that the term "criticism" is too often applied to Biographia Literaria, which both he and Fruman describe as having failed to explain or help the reader understand works of art. For example, not content with salt, Coleridge sprinkled cayenne pepper on his eggs, which he ate from a teacup. "Ode on a Grecian Urn" is a lyric ode with five stanzas containing 10 lines each. [5], The common nightingale is slightly larger than the European robin, at 1516.5cm (5.96.5in) length. This is further evidenced by the poems' structures. Another aspect Coleridge favoured was the poem's originality of thought and how it contained Wordsworth's understanding of nature and his own experience. Wordsworth sets up multiple stages, infancy, childhood, adolescence, and maturity as times of development but there is no real boundary between each stage. Find stories, updates and expert opinion. This gets the point across, as well as challenges the readers to think about the plight of those less fortunate, rather than thinking only of themselves. The granddaughter of a publisher, Boyle was born in St. Paul, Minnesota, and grew up in several cities but principally in Cincinnati, Ohio.Her father, Howard Peterson Boyle, was a lawyer, but her greatest influence came from her mother, Katherine Evans, a literary and social activist who believed that the wealthy had an obligation to help the financially less fortunate. [7] Coleridge suggests that he "took no pleasure in boyish sports" but instead read "incessantly" and played by himself. "[42], Coleridge is buried in the aisle of St. Michael's Parish Church in Highgate, London. The poem The Convict (Wordsworth) was in the 1798 edition, but Wordsworth omitted it from the 1800 edition, replacing it with Coleridge's "Love". As the poem comes to a close, the narrator once again addresses the urn as a single object. Wordsworth followed a Virgilian idea called lacrimae rerum, which means that "life is growth" but it implies that there is also loss within life. He was treated for these conditions with laudanum, which fostered a lifelong opium addiction. "[78] After quoting the passage, he argues that he has provided enough information for people to judge if Wordsworth's new school of poetry should replace the previous system of poetry: "If we were to stop here, we do not think that Mr Wordsworth, or his admirers, would have any reason to complain; for what we have now quoted is undeniably the most peculiar and characteristic part of his publication, and must be defended and applauded if the merit or originality of his system is to be seriously maintained. In 1795, the two friends married sisters Sara and Edith Fricker, in St Mary Redcliffe, Bristol,[14] but Coleridge's marriage with Sara proved unhappy. The poem is one of the most frequently anthologized in the English language.[1]. The presentation by David Smith, Nicole Sowers, and Scott Randall on Champ Software and Nightingale notes is an outstanding demonstration of how a team can take on the challenging task of modernizing health information systems. To Wordsworth, infancy is when the "poetic spirit", the ability to experience visions, is first developed and is based on the infant learning about the world and bonding to nature. [17] There is also a more traditional original of the discussion style of the poem, as many of the prophetic aspects of the poem are related to the Old Testament of the Bible. [6] Keats simply dated the others May 1819. [26] Stanza IX contains a mixture of affirmation of life and faith as it seemingly avoids discussing what is lost. Join the conversation "First time @NAM_London today. It is remembered because of Alfred Lord Tennysons popular poem The Charge of the Light Brigade, written a few weeks after the battle. In August 1814, Coleridge was approached by Lord Byron's publisher, John Murray, about the possibility of translating Goethe's classic Faust (1808). However, his tone becomes sharper as he seeks answers from the work of art that it appears unable to answer. The lover, often identified as a student, is lamenting the loss of his love, Lenore. "Ode to Psyche" is a 67-line poem written in stanzas of varying length, which took its form from modification Keats made to the sonnet structure. Singest of summer in full-throated ease. Years after its initial publication, a revised and expanded edition of The Friend, with added philosophical content including his 'Essays on the Principles of Method', became a highly influential work and its effect was felt on writers and philosophers from John Stuart Mill to Ralph Waldo Emerson. In Gillman's home, Coleridge finished his major prose work, the Biographia Literaria (mostly drafted in 1815, and finished in 1817), a volume composed of 23 chapters of autobiographical notes and dissertations on various subjects, including some incisive literary theory and criticism. [21] During this period, he became interested in German philosophy, especially the transcendental idealism and critical philosophy of Immanuel Kant, and in the literary criticism of the 18th-century dramatist Gotthold Lessing. (1965). However, readers are not convinced by his conversation about death that it would be easy and he himself does not seem to be convinced either. "[131], 1990s critics emphasised individual images within the poem along with Wordsworth's message being the source of the poem's power. [53] As Paul Magnuson described it in 2002, "Abrams credited Coleridge with originating what Abrams called the 'greater Romantic lyric', a genre that began with Coleridge's 'Conversation' poems, and included Wordsworth's Tintern Abbey, Shelley's Stanzas Written in Dejection and Keats's Ode to a Nightingale, and was a major influence on more modern lyrics by Matthew Arnold, Walt Whitman, Wallace Stevens, and W. H. Psyche, a creature so beautiful that she drew the attention of Cupid himself, draws the attention of the narrator, whose artistic imagination causes him to dream of her: "Surely I dream'd to-day, or did I see / The wingd Psyche with awaken'd eyes" (lines 56). He also compares it with a foster's child. He has an active imagination, is well-read, and wants his readers to know it. The song is loud, with an impressive range of whistles, trills and gurgles. Keats felt a tranquil and continual joy in her song; and one morning he took his chair from the breakfast-table to the grass-plot under a plum-tree, where he sat for two or three hours. "[101] David Mason followed Mill in an 1875 essay on literature, including Wordsworth's poetry. [58] David Perkins felt the need to defend the use of the word "forlorn" and claimed that it described the feeling from the impossibility of not being able to live in the world of the imagination. Such a reliance on assonance is found in very few English poems. The narrator of Wordsworth is more self-interested and any object beyond the narrator is kept without a possible voice and is turned into a second self of the poet. Which we are toiling all our lives to find, [74], There is also a very fine setting by Hamilton Harty, set for soprano and orchestra. My Neighbor Adolf 2022 1080p WEB-DL DD5 1 H 264-EVO Lyre? [15] In the final stanzas, the figure of Poesy is described as a daemon which Helen Vendler suggests poses a direct threat to the idleness the poet wishes to retain. "[136], In the 21st century, the poem was viewed as Wordsworth's best work. In Coleridge's theory, his poetic abilities were the basis for happiness and without them there would only be misery. ", initiating a conversation between the poet and the object, which the reader is allowed to observe from a third-person point of view. '"[132] However, he goes on to declare, "the majority of competent judges acclaim the 'Ode on Immortality' as Wordsworth's most splendid poem. Seer blest! Key Findings. In September 2007, Oxford University Press sparked a heated scholarly controversy by publishing an English translation of Goethe's work that purported to be Coleridge's long-lost masterpiece (the text in question first appeared anonymously in 1821). The narration of the poem is in the style of an interior monologue,[16] and there are many aspects of the poem that connect it to Coleridge's style of poetry called "Conversation poems", especially the poem's reliance on a one sided discussion that expects a response that never comes. But being too happy in thine happiness, Florence Nightingale was a legend in her own lifetime and one of the most famous women in British history. See J C McKusick '"Living Words": Samuel Taylor Coleridge and the Genesis of the OED'. The ode reflects Wordsworth's darker feelings that he could no longer return to a peaceful state with nature. "[45], Wordsworth's explanation of the origin of the poem suggests that it was inspiration and passion that led to the ode's composition, and he later said that the poem was to deal with the loss of sensations and a desire to overcome the natural process of death. [59], Despite being mostly remembered today for his poetry and literary criticism, Coleridge was also (perhaps in his own eyes primarily) a theologian. Whither is fled the visionary gleam? "The 'Immortality Ode'" in. In February 1799 he enrolled at the University of Gttingen, where he attended lectures by Johann Friedrich Blumenbach and Johann Gottfried Eichhorn. Coleridge coined many familiar words and phrases, including "suspension of disbelief". He had previously been master of Hugh Squier's School in South Molton, Devon, and lecturer of nearby Molland. Eliot stated that he believed that Coleridge was "perhaps the greatest of English critics, and in a sense the last." Keats follows Coleridge's belief, as found in "The Nightingale", in separating from the world by losing himself in the bird's song. The nightingale is distant and mysterious, and even disappears at the end of the poem. At Jesus College, Coleridge was introduced to political and theological ideas then considered radical, including those of the poet Robert Southey with whom he collaborated on the play The Fall of Robespierre. There is a fee for seeing pages and other features. [37] A number of his followers were central to the Oxford Movement, and his religious writings profoundly shaped Anglicanism in the mid-nineteenth century. F. D. Maurice, F. J. "[98] He concluded his analysis with a critique of the poem as a whole: "I should say that Wordsworth does not display in it any great clearness of thought, or felicity of language the ode in question is not so much abstruse in idea as crabbed in expression. Research in Germany found that favoured breeding habitat of nightingales was defined by a number of geographical factors. [31] Earl Wasserman essentially agrees with Finney, but he extended his summation of the poem to incorporate the themes of Keats's Mansion of Many Apartments when he says, "the core of the poem is the search for the mystery, the unsuccessful quest for light within its darkness" and this "leads only to an increasing darkness, or a growing recognition of how impenetrable the mystery is to mortals. [87] The 2 October 1814 essay examined poetry as either of imagination or of sentiment, and quotes the final lines of the poem as an example of "The extreme simplicity which some persons have objected to in Mr. Wordsworth's poetry is to be found only in the subject and style: the sentiments are subtle and profound. The poems were not real conversations as there is no response to the narrator of the poem, but they are written as if there would be a response. Baltimore: Johns Hopkins University Press, 1987. When he came into the house, I perceived he had some scraps of paper in his hand, and these he was quietly thrusting behind the books. [1], It was during the months of spring 1819 that he wrote many of his major odes. "Passion and Permanence in Keats's Ode on a Grecian Urn" in, Sheley, Erin. [25], The ode contains 11 stanzas split into three movements. Just like actors, a speaker tells, or acts out directly, an account of what exactly occurs. The poem also contains multiple enjambments and there is a use of an ABAB rhyme scheme that gives the poem a singsong quality. (lines 129131), The questions in Stanza IV are answered with words of despair in the second movement, but the third movement is filled with joy. In general, Coleridge's poems discuss the cosmic as they long for a response, and it is this aspect, not a possible object of the conversation, that forms the power of the poem. Coleridge studied German and, after his return to England, translated the dramatic trilogy Wallenstein by the German Classical poet Friedrich Schiller into English. Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. His philosophy of poetry, which he developed over many years, has been deeply influential in the field of literary criticism. [60], Wordsworth returns to the ideas found within the complete ode many times in his later works. The writing of Kubla Khan, written about the Mongol emperor Kublai Khan and his legendary palace at Xanadu, was said to have been interrupted by the arrival of a "Person from Porlock" an event that has been embellished upon in such varied contexts as science fiction and Nabokov's Lolita. All 1080p Micro 1080p Micro 720p Micro 2160p Xvid. The poem is about a fairy who condemns a It is found in different forms of writing, but is very common in poetry and novels. T. S. Eliots The Waste Land was originally published in the U.K. in the first issue of The Criterion (October 1922), a magazine founded and edited by Eliot himself. Great for all ages but aimed primarily at Key Stage 140 seconds work | 20 seconds restMarching On The SpotStar JumpsLow Sprint ShuffleSquatsClimb The Rope Any reader can search newspapers.com by registering. The granddaughter of a publisher, Boyle was born in St. Paul, Minnesota, and grew up in several cities but principally in Cincinnati, Ohio.Her father, Howard Peterson Boyle, was a lawyer, but her greatest influence came from her mother, Katherine Evans, a literary and social activist who believed that the wealthy had an obligation to help the financially less fortunate. Adam Sisman, in 2007, claimed the poem as "one of [Wordsworth's] greatest works". [22] The bird is only a voice within the poem, but it is a voice that compels the narrator to join with in and forget the sorrows of the world. Thou best Philosopher, who yet dost keep "[92], Following Coleridge's response was an anonymous review in the May 1820 Blackwood's Edinburgh Magazine, possible by either John Lockhart and John Wilson together or just Lockhart on his own. Lovell also introduced Coleridge and Southey to their future patron Joseph Cottle, but died of a fever in April 1796. To me the meanest flower that blows can give However, he worked on the spring poems together, and they form a sequence within their structures. Stopford Brooke characterised both poems as having no rival due to their "exquisite metrical movement" and "imaginative phrasing. [91] In the same year, it was claimed by Benjamin Bailey, in a 7 May 1849 letter to R. M. Milnes, that John Keats, one of the second-generation Romantic poets, discussed the poem with him. Among the poems were Religious Musings, Monody on the Death of Chatterton and an early version of The Eolian Harp entitled Effusion 35. While sitting at breakfast on 27 March, he began to compose the ode. Harp? Christabel is known for its musical rhythm, language, and its Gothic tale. My sense, as though of hemlock I had drunk, [22] In its closing, the poem questions whether the bird's song has been real or part of a dream: "Was it a vision, or a waking dream? Florence Nightingale was a legend in her own lifetime and one of the most famous women in British history. This page was last edited on 1 November 2022, at 06:19. [36] When describing the fourth stanza of the poem, Maurice Ridley, in 1933, claimed, "And so comes the stanza, with that remarkable piece of imagination at the end which feels the light as blown by the breezes, one of those characteristic sudden flashes with which Keats fires the most ordinary material. Wordsworth differs from Augustine in that Wordsworth seeks in the poem to separate himself from the theory of solipsism, the belief that nothing exists outside of the mind. Instead, he is trying to dramatize the changing interrelations which determine the major imagery. The point is that the deity or the nightingale can sing without dying. [10], Keats incorporates a pattern of alternating historically "short" and "long" vowel sounds in his ode. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow descent into madness. His most noteworthy writings on religion are Lay Sermons (1817), Aids to Reflection (1825) and The Constitution of Church and State (1830). Now more than ever seems it rich to die, Coleridge is credited with the first recorded descent of Scafell to Mickledore via Broad Stand, although this was more due to his getting lost than a keenness for mountaineering. "[31] Later, Ayumi Mizukoshi argued that early audiences did not support "Ode to Psyche" because it "turned out to be too reflexive and internalised to be enjoyed as a mythological picture. [36] When read together, Coleridge's and Wordsworth's poem form a dialogue with an emphasis on the poet's relationship with nature and humanity. [2] For another edition, published in 1802, Wordsworth added an appendix titled Poetic Diction in which he expanded the ideas set forth in the preface. This leads to the individual despairing and only being able to resist despair through imagination. The Elysian fields and the nightingale's song in the first half of the poem represent the pleasurable moments that overwhelm the individual like a drug. "[70], Later, Cleanth Brooks reanalyzes the argument to point out that Wordsworth would include the animals among the children. [13] In 1820, Wordsworth issued The Miscellaneous Poems of William Wordsworth that collected the poems he wished to be preserved with an emphasis on ordering the poems, revising the text, and including prose that would provide the theory behind the text. Thy Soul's immensity; "[116] After breaking down the use of paradox and irony in language, he analyses the statements about the childhood perception of glory in Stanza VI and argued, "This stanza, though not one of the celebrated stanzas of the poem, is one of the most finely ironical. English poet, literary critic and philosopher (17721834), "Coleridge" redirects here. Instead, the ode, like The Prelude and Tintern Abbey, places an emphasis on how an adult develops from a child and how being absorbed in nature inspires a deeper connection to humanity. A divine morning at Breakfast Wm wrote part of an ode Mr Olliff sent the Dung & Wm went to work in the garden we sate all day in the Orchard. [27], In 1804, he travelled to Sicily and Malta, working for a time as Acting Public Secretary of Malta under the Civil Commissioner, Alexander Ball, a task he performed successfully. The third movement is three stanzas long and contains a positive response to the problem. From 1791 until 1794, Coleridge attended Jesus College, Cambridge. In Biographia Literaria and his poetry, symbols are not merely "objective correlatives" to Coleridge, but instruments for making the universe and personal experience intelligible and spiritually covalent. Find stories, updates and expert opinion. Poetically commenting on Toulmin's strength, Coleridge wrote in a 1798 letter to John Prior Estlin, "I walked into Taunton (eleven miles) and back again, and performed the divine services for Dr. Toulmin. Beginning with an epitaph taken from Matthew 6:28, the poet introduces the theme of indolence through an excerpt of Jesus's suggestion that God provides for the lilies of the field without making them toil. [35] He also produced essays published shortly after his death, such as Essay on Faith (1838)[36] and Confessions of an Inquiring Spirit (1840). It was a busy beginning of the year with Wordsworth having to help Dorothy recover from an illness in addition to writing his poems. "[49] In 1989, Gene Ruoff argued that the idea was connected to Christian theology in that the Christian theorist Origen adopted the belief and relied on it in the development of Christian doctrine. The first stanza begins with the narrator addressing an ancient urn as "Thou still unravished bride of quietness! On inquiry, I found those scraps, four or five in number, contained his poetic feelings on the song of the nightingale. Bridges, in 1895, declared that the poem was the best of Keats's odes but he thought that the poem contained too much artificial language. Singing at dawn, during the hour before sunrise, is assumed to be important in defending the bird's territory. Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. Coleridge wrote reviews of Ann Radcliffe's books and The Mad Monk, among others. [31] This claim bothers Coleridge and he writes, in Biographia Literaria, that Wordsworth was trying to be a prophet in an area that he could have no claim to prophecy. For other uses, see, This article is about the early 19th-century English poet. He published only fifty-four poems, in three slim volumes and a few magazines. [38], Coleridge also worked extensively on the various manuscripts which form his "Opus Maximum", a work which was in part intended as a post-Kantian work of philosophical synthesis. Any reader can search newspapers.com by registering. California voters have now received their mail ballots, and the November 8 general election has entered its final stage. Says vicar Kunle Ayodeji of the plans: "we hope that the whole crypt can be cleared as a space for meetings and other uses, which would also allow access to Coleridges cellar."[44]. Ludwig van Beethoven's Symphony No. It has been suggested that this reflects De Quincey's own experiences more than Coleridge's. In the 'Advertisement' included in the 1798 edition, Wordsworth explained his poetical concept: The majority of the following poems are to be considered as experiments. Hearing sad songs from the people, the nightingale sang its song to cheer them up. The poem discusses a morning of laziness on the part of the narrator, during which his attention becomes captivated by three figures he sees in a vision. Who has not felt the same aspirations as regards the world of his own mind? The Dutch folk band The Black Atlantic took the name of their 2012 EP "Darkling I listen" from the start line 51. It was first printed as "Ode" in 1807, and it was not until 1815 that it was edited and reworked to the version that is currently known, "Ode: Intimations of Immortality". [3] It is possible that "Ode to a Nightingale" was written between 26 April and 18 May 1819, based on weather conditions and similarities between images in the poem and those in a letter sent to Fanny Brawne on May Day. [11], By contrast, the European breeding population is estimated at between 3.2 and 7 million pairs, giving it green conservation status (least concern).[12]. when referring to Wordsworth and the ode, he claimed: "Wordsworth in his later years lost, as he expresses it, courage, the spring-like hope and confidence which enables a man to advance joyously towards new discovery of truth. This lets us find the most appropriate writer for any type of assignment. [19] In the final stanza, the poet describes the mistress as dwelling in Beauty, but modifies the beauty by saying that it "must die" (line 21). [57] When praising the poem in 1959, Perkins claimed, "Although the "Ode to a Nightingale" ranges more widely than the "Ode on a Grecian Urn," the poem can also be regarded as the exploration or testing out of a symbol, and, compared with the urn as a symbol, the nightingale would seem to have both limitations and advantages. In his poem Ode to Nightingale, the speaker is Keats himself. Coleridge's early intellectual debts, besides German idealists like Kant and critics like Lessing, were first to William Godwin's Political Justice, especially during his Pantisocratic period, and to David Hartley's Observations on Man, which is the source of the psychology which is found in Frost at Midnight. [29] Within the poem, there are many images of death. Samuel Taylor Coleridge (/ k o l r d /; 21 October 1772 25 July 1834) was an English poet, literary critic, philosopher, and theologian who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets.He also shared volumes and collaborated with Charles Lamb, Robert Southey, and Charles Lloyd. There is a fee for seeing pages and other features. Copyright 2022 Literary Devices. However, part of Coleridge's analysis of the poem and of the poet tend to describe his idealised version of positives and negative than an actual concrete object. [21] In the third stanza, the poet asks the nightingale to "Fade far away", casting it off just as the narrator in "Ode to Indolence" rejects the Love, Ambition, and Poesy and the poet in "Ode on a Grecian Urn" banishes the figures on the urn to silence. He gave this up and returned to England in 1806. [51] Among those natural scenes, the narrator includes a Hebrew prayer-like praise of God for the restoration of the soul to the body in the morning and the attributing of God's blessing to the various animals he sees. Harold Bloom suggests that this provides the poem with a hint of Keats's philosophy of negative capability, as only the beauty that will die meets the poem's standard of true beauty. Poem collection by William Wordsworth and Samuel Taylor Coleridge, Lines written a few miles above Tintern Abbey, Lines Written a Few Miles above Tintern Abbey, On the Extinction of the Venetian Republic, Reflections on Having Left a Place of Retirement, https://en.wikipedia.org/w/index.php?title=Lyrical_Ballads&oldid=1109713559, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Lines left upon a Seat in a Yew-tree which stands near the Lake of Esthwaite, The Nightingale, a Conversational Poem (Coleridge), Lines written at a small distance from my House, and sent by my little Boy to the Person to whom they are addressed, Lines written near Richmond, upon the Thames, at Evening, The Tables turned; an Evening Scene, on the same subject, The Tables Turned; an Evening Scene, on the Same Subject, Old Man Travelling; Animal Tranquillity and Decay, a Sketch, Lines Left upon a Seat in a Yew-tree which Stands Near the Lake of Esthwaite, Lines Written at a Small Distance from My House and Sent Me by My little Boy to the Person to whom They Are Addressed, Lines Written When Sailing in a Boat at Evening, The Idle Shepherd-Boys or Dungeon-Gill Force, a Pastoral.
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